The Redwood’s aim to be a comprehensive resource for researchers in architectural history, colonial to Gilded Age, involves systematic acquisition of period materials that can inform both scholars and craftsmen, and help us–like they did for their original 19th-c. audiences–better appreciate Newport’s many remarkable historic structures. Some early American architectural books as this new purchase […]
With early modern architecture one of the Library’s five key Special Collections areas, the Redwood aims to be an indispensable resource for researchers, historians and restoration architects. This two-leaf pamphlet in its original blue wrappers gives the wholesale pricing in dollars & cents of lumber in Boston for the year 1805, extremely valuable historical information […]
Catherine Messier, USA TODAY NETWORK – New England | December 11, 2024
Sam Bolton, New York Social Diary | July 16, 2024
Getty Images | Jul 10, 2024
What’s Up Newp | July 1, 2023
What’s Up Newp | August 22nd, 2022
In Library of Amorphous Matter, Curator, Leora Malt-Leca described how Jocelyne Prince considers the material properties of glass, an amorphous or noncrystalline solid that is the central protagonist of a fantastical library of cracks, drips and scars. Slide Library (2002-present), exhibited in the Redwood’s Rovensky Delivery Room on custom “atheneum-like” bookcases. She examined the features of hundreds of […]
Pheidippides, Soldier of Marathon, c. 1917. Bronze. Gift of Mrs. George S. Scott. This bronze statue is a mechanical copy of the original marble in the Louvre by Jean Pierre Cortot (1787-1843), French School, and is known as The soldier of Marathon Announcing the Victory. Pheidippides is a character in a play by Aristophanes, he is said to have […]
Gilbert Stuart, c. 1825. John Henri Isaac Browere (1792-1834). Marble. Gift of Reverend Dr. Roderick Terry. Gilbert Stuart (1755-1828) lived and studied art in Newport. Considered outstanding in his field, he spent his adult career in Newport, Scotland, London, Phildelphia, Boston, and Washington D.C., where he painted many familiar portraits, inculding the most famous […]
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