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Historical Note on the Art of Engraving

Historical Note on the Art of Engraving

Given the importance of the engraved image in the 18c—in illustrated books, suites of prints, pamphlets, broadsides etc., it behooves that the Library, rich in all of the above, should possess some of the key period texts that treat this pivotal medium. In fact, very few sources give a sustained, critical assessment of engraving’s broader […]

cc 1.24.25.3 sketches

Self-published catalogue (1895), featuring 23 halftone images of Gilded Age residences in upstate New York

Before the web and glossy architectural periodicals that showcase completed projects, architects had few avenues to advertise their work. Enter the self-published trade catalog, as shown above, a book ‘type’ adjacent to pattern books showing individual motifs. The Redwood already holds a world class collection of the latter, and both types offer the most direct […]

cc 1.17.25.2 almanac

Almanach des Dames | Almanac c. 1820-22

In the early modern era the term almanac initially denoted small, yearly calendrical pamphlets containing a range of practical tabular information: tides, astronomical indications, weather and seasonal forecasts etc. Before their eclipse in the mid-19c., every American town with a printer produced an almanac. In Newport, it was Benjamin Franklin’s brother James who printed the […]

cc 1.10.25 The Architectural Sketch Book

General Idea of a Complete Collection of Prints (1771)

Beatrice Greenough, of the prominent Newport family, worked at the Redwood as a librarian, and in 1962 donated her family collection of largely French and Italian seventeenth and eighteenth illustrated books first amassed by her grandfather, the francophile Beaux-Arts architect Whitney Warren. Comprising over 200 titles of the rarest illustrated festival books, custom limited editions, […]

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