Ernest Hemingway Reading List

Tue, 07/18/2017 - 1:32pm -- baglio

 

Ernest Hemingway was one of the most prolific, and at times controversial, writers of the early twentieth century. Such classics as a Farewell to Arms, and Death in the Afternoon were born from personal experiences that inspired Hemingway.  Hemingway served during the First World War as an ambulance driver, and reported on both the Spanish Civil War, and the Second World War. Married four times, Hemingway traveled extensively, both for assignment and for leisure, and lived in places such as Paris, Key West, Cuba and New York. His works often focused on such themes as love, loss, and war; topics that stimulated thought and deep feelings from readers. This reading list will hopefully evoke those emotions again, sampling a taste of Hemingway's body of fiction as well as outside perspectives of his life.

 

Ernest Hemingway : A Descriptive Bibliography

By, C. Edgar Grissom

Edgar Grissom's Ernest Hemingway: A Descriptive Bibliography can succinctly be described as the culmination of all previous endeavors in Hemingway bibliography. Grissom corrects the work of previous bibliographers, adding numerous editions and printings to the periods they covered and addressing the years 1975-2009, which had previously been left untouched.

Ernest Hemingway : A Literary Reference

Edited by, Robert Trogdon
 
He fished the deep sea off the coast of Cuba, he hunted big game in Africa and Idaho, he ran with the bulls in Pamplona, he reported on the civil war in Spain and World War II in Europe. He was a dynamic, handsome man. He hobnobbed with movie stars like Marlene Dietrich, Ingrid Bergman, Gary Cooper, and Ava Gardner. He brawled, he drank, he womanized. For four decades he also wrote some of the most popular and critically successful novels in modern American literature, from The Sun Also Rises and A Farewell to Arms in the 1920s to the Pulitzer Prize–winning The Old Man and the Sea in 1952. In 1954 he was awarded the Nobel Prize for literature. And his suicide in 1961 made international front-page news, for by then the world adventurer Ernest Hemingway had become the most famous American author of the twentieth century. Warfare, boxing, bullfights, fishing, art, good food, bad men, unhappy relationships, love—you can find the man’s interests everywhere reflected in his work. Yet ultimately nothing mattered more to Hemingway than the work, which this volume both celebrates and documents with photographs and a fascinating assortment of excerpts from letters, interviews, news reports, essays, speeches, book reviews, and manuscripts. Facsimiles of Hemingway’s works in progress demonstrate how he worked, while reprints of his commentary on his own fiction as well as that of other writers further illuminate the mind and methods that produced such modern classics as For Whom the Bell Tolls and Men Without Women. Generously illustrated and meticulously compiled, this volume of literary biography offers a wide variety of resources by which to view anew Hemingway’s life and work.

 
By, Norberto Fuentes, and Roberto Herrera Sotlongo

Ernest Hemingway's life was as romantic and exciting as anything in his novels and stories, and this magnificently illustrated large-format volume captures many of his best years. The text, recounting Hemingway's life and times between 1939 and 1960, is a remembrance by Norberto Fuentes, who was Hemingway's good friend during that period. In the book's vivid photographs, we see Hemingway on African safaris, in Venice with his wife Mary Welsh, fishing for marlin in the Gulf Stream, socializing at his favorite cafes, and relaxing at his homes in Cuba, Key West, and Idaho. Still other dramatic candid shots show Hemingway on movie sets with Spencer Tracy, Gary Cooper, and Ingrid Bergman. The more than 150 candid black-and-white photos of Hemingway and friends at work and at play, were taken by his friend and associate, Roberto Herrera Sotolongo, and had never appeared anywhere until the publication of this book. Another 50 full-color photos taken more recently capture the different atmospheres of the writer's several homes.

 
By, Paul Hendrickson
 
Focusing on the years 1934 to 1961—from Hemingway’s pinnacle as the reigning monarch of American letters until his suicide—Paul Hendrickson traces the writer’s exultations and despair around the one constant in his life during this time: his beloved boat, Pilar.
We follow him from Key West to Paris, to New York, Africa, Cuba, and finally Idaho, as he wrestles with his best angels and worst demons. Whenever he could, he returned to his beloved fishing cruiser, to exult in the sea, to fight the biggest fish he could find, to drink, to entertain celebrities and friends and seduce women, to be with his children. But as he began to succumb to the diseases of fame, we see that Pilar was also where he cursed his critics, saw marriages and friendships dissolve, and tried, in vain, to escape his increasingly diminished capacities. Generally thought of as a great writer and an unappealing human being, Hemingway emerges here in a far more benevolent light. Drawing on previously unpublished material, including interviews with Hemingway’s sons, Hendrickson shows that for all the writer’s boorishness, depression, and alcoholism, and despite his choleric anger, he was capable of remarkable generosity—to struggling writers, to lost souls, to the dying son of a friend.
We see most poignantly his relationship with his youngest son, Gigi, a doctor who lived his adult life mostly as a cross-dresser, and died squalidly and alone in a Miami women’s jail. He was the son Hemingway forsook the least, yet the one who disappointed him the most, as Gigi acted out for nearly his whole life so many of the tortured, ambiguous tensions his father felt. Hendrickson’s bold and beautiful book strikingly makes the case that both men were braver than we know, struggling all their lives against the complicated, powerful emotions swirling around them. As Hendrickson writes, “Amid so much ruin, still the beauty.” Hemingway’s Boat is both stunningly original and deeply gripping, an invaluable contribution to our understanding of this great American writer, published fifty years after his death.


 
From the summer of 1942 until the end of 1943 Ernest Hemingway spent much of his time patrolling the Gulf Stream and the waters off Cuba's north shore in his fishing boat, Pilar. He was looking for German submarines. These patrols were sanctioned and managed by the US Navy and were a small but useful part of anti-submarine warfare at a time when U boat attacks against merchant shipping in the Gulf and the Caribbean were taking horrific tolls. While almost no attention has been paid to these patrols, other than casual mention in biographies, they were a useful military contribution as well as a central event (to Hemingway) around which important historical, literary and biographical themes revolve.


By, Leornard J. Leff
 
With a cast of famous characters, the backstage story of how Hemingway seized upon an emerging mass culture to become the premier author of the twentieth century.
 
By, Ernest Hemingway
 
Listen to two Short Stories written by Ernest Hemingway.
 
By, Ernest Hemingway
 
Ernest Hemingway is a cultural icon—an archetype of rugged masculinity, a romantic ideal of the intellectual in perpetual exile—but, to his countless readers, Hemingway remains a literary force much greater than his image. Of all of Hemingway’s canonical fictions, perhaps none demonstrate so forcefully the power of the author’s revolutionary style as his short stories. In classics like “Hills like White Elephants,” “The Butterfly in the Tank,” and “The Short Happy Life of Francis Macomber,” Hemingway shows us great literature compressed to its most potent essentials. We also see, in Hemingway’s short fiction, the tales that created the legend: these are stories of men and women in love and in war and on the hunt, stories of a lost generation born into a fractured time.
 
 
By, Ernest Hemingway
 
Set in the Gulf stream off the coast of Havana. Hemingway's magnificent fable is the story of an old man, a young boy and a giant fish. It was The Old Man and the Sea that won for Hemingway the Nobel Prize for Literature. Here, in a perfectly crafted story, is a unique and a timeless vision of the beauty and the grief of man's challenge to the elements in which he lives. Not a single word is superfluous in this widely admired masterpiece, which once and for all established his place as one of the giants of modern literature.

 
Written when Ernest Hemingway was thirty years old and lauded as the best American novel to emerge from World War I, A Farewell to Arms is the unforgettable story of an American ambulance driver on the Italian front and his passion for a beautiful English nurse. Set against the looming horrors of the battlefield—weary, demoralized men marching in the rain during the German attack on Caporetto; the profound struggle between loyalty and desertion—this gripping, semiautobiographical work captures the harsh realities of war and the pain of lovers caught in its inexorable sweep. 
Ernest Hemingway famously said that he rewrote the ending to A Farewell to Arms thirty-nine times to get the words right. This edition collects all of the alternative endings together for the first time, along with early drafts of other essential passages, offering new insight into Hemingway’s craft and creative process and the evolution of one of the greatest novels of the twentieth century. Featuring Hemingway’s own 1948 introduction to an illustrated reissue of the novel, a personal foreword by the author’s son Patrick Hemingway, and a new introduction by the author’s grandson Seán Hemingway, this edition of A Farewell to Arms is truly a celebration.
 
 
 
There are vibrant tales built around memories of boyhood in the American Northwest, stories of sport alive with joy of living, tautly drawn recollections of the war years, and revealing impressions of modern life never before disclosed so excitingly or woven into stories with such uncanny accuracy.
 
 
By, Ernest Hemingway
 
A blend of autobiography and fiction, the book opens on the day his close friend Pop, a celebrated hunter, leaves Ernest in charge of the safari camp and news arrives of a potential attack from a hostile tribe. Drama continues to build as his wife, Mary, pursues the great black-maned lion that has become her obsession, and Ernest becomes involved with a young African girl whom he supposedly plans to take as a second bride. Increasingly enchanted by the local African community, he struggles between the attraction of these two women and the wildly different cultures they represent. Spicing his depictions of human longings with sharp humor, Hemingway captures the excitement of big-game hunting and the unparallel beauty of the landscape. Rich in laughter, beauty and profound insight. True at First Light is an extraordinary publishing event -- a breathtaking final work from one of our most beloved and important writers.


By, Ernest Hemingway

Set in Venice at the close of World War II, Across the River and into the Trees is the bittersweet story of a middle-aged American colonel, scarred by war and in failing health, who finds love with a young Italian countess at the very moment when his life is becoming a physical hardship to him. It is a love so overpowering and spontaneous that it revitalizes the man's spirit and encourages him to dream of a future, even though he knows that there can be no hope for long. Spanning a matter of hours, Across the River and into the Trees is tender and moving, yet tragic in the inexorable shadow of what must come.


By, Ernest Hemingway

The most intimate and elaborately enhanced addition to the Hemingway Library series: Hemingway’s memoir of his safari across the Serengeti—presented with archival material from the Hemingway Collection at the John F. Kennedy Library and with the never-before-published safari journal of Hemingway’s second wife, Pauline Pfeiffer.


By, Ernest Hemingway

"Men at War" edited by Ernest Hemingway is an imposing anthology (over 1000 pages and over 80 stories) of men in battle conditions. The range of time is from Biblical to the middle of World War II, when it was published. The bulk of the conflicts described come from the Napoleonic wars and World War I. Most are true, first person accounts, but some fiction is included. In all cases the effect that war has on the human condition, both good and bad, is effectively described. A truly awesome collection on a single theme. 


By, Ernest Hemigway

When In Our Time was published in 1925, it was praised by Ford Madox Ford, John Dos Passos, and F. Scott Fitzgerald for its simple and precise use of language to convey a wide range of complex emotions, and it earned Hemingway a place beside Sherwood Anderson and Gertrude Stein among the most promising American writers of that period. In Our Time contains several early Hemingway classics, including the famous Nick Adams stories "Indian Camp," "The Doctor and the Doctor's Wife," "The Three Day Blow," and "The Battler," and introduces readers to the hallmarks of the Hemingway style: a lean, tough prose -- enlivened by an car for the colloquial and an eye for the realistic that suggests, through the simplest of statements, a sense of moral value and a clarity of heart. 
Now recognized as one of the most original short story collections in twentieth-century literature, In Our Time provides a key to Hemingway's later works.


By, Ernest Hemingway

Still considered one of the best books ever written about bullfighting, Death in the Afternoon reflects Hemingway's belief that bullfighting was more than mere sport. Here he describes and explains the technical aspects of this dangerous ritual, and "the emotional and spiritual intensity and pure classic beauty that can be produced by a man, an animal, and a piece of scarlet serge draped on a stick." Seen through his eyes, bullfighting becomes an art, a richly choreographed ballet, with performers who range from awkward amateurs to masters of great grace and cunning. 
A fascinating look at the history and grandeur of bullfighting, Death in the Afternoon is also a deeper contemplation on the nature of cowardice and bravery, sport and tragedy, and is enlivened throughout by Hemingway's pungent commentary on life and literature.


By Ernest Hemingway

First published in 1927, Men Without Women represents some of Hemingway's most important and compelling early writing. In these fourteen stories, Hemingway begins to examine the themes that would occupy his later works: the casualties of war, the often uneasy relationship between men and women, sport and sportsmanship. In "Banal Story," Hemingway offers a lasting tribute to the famed matador Maera. "In Another Country" tells of an Italian major recovering from war wounds as he mourns the untimely death of his wife. "The Killers" is the hard-edged story about two Chicago gunmen and their potential victim. Nick Adams makes an appearance in "Ten Indians," in which he is presumably betrayed by his Indian girlfriend, Prudence. And "Hills Like White Elephants" is a young couple's subtle, heartwrenching discussion of abortion. Pared down, gritty, and subtly expressive, these stories show the young Hemingway emerging as America's finest short story writer.


By, Ernest Hemingway

Ernest Hemingway’s classic memoir of Paris in the 1920s, now available in a restored edition, includes the original manuscript along with insightful recollections and unfinished sketches.
Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway’s most enduring works. Since Hemingway’s personal papers were released in 1979, scholars have examined the changes made to the text before publication. Now, this special restored edition presents the original manuscript as the author prepared it to be published.